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OCTA
204 N. Robinson Avenue,
Suite 1950
Oklahoma City, Oklahoma
73102-7400
Phone: 405-236-0788
Email: oktheatre@sbcglobal.net
Contents
Contest
Vanessa Adams Harris
What's Happening
Hellers 25th Birthday Bash
History of the OCTA Awards
Office Goings On
Meet Your Board
Cards and Letters
Americans For The Arts
Senior Theatre
Web Site Fun Facts
Oklahoma Shakespeare in the Park
Web Site Information
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For Those of You Who Have Never Been To Contest
Sharon Burum writes
"For those of you who have never attended a National AACTfest, GO!!! Oklahoma is known as one of the oldest and most well-respected states because of the productions that have been presented at nationals. People at nationals tell you that Oklahoma equals excellence! It’s true. We should be so proud! This year we have another opportunity to shine! Theatre North’s production of “Who Will Sing for Lena” is breathtaking and its award-winning star is a long-time OCTA member, Vanessa Adams-Harris. Maybelle Wallace, its director, is an icon of pioneering theatre artists in Oklahoma. She has always brought thought-provoking and artistically excellent productions to our state festival. She flies in the face of Oklahoma history with her persistence on connecting with African-American audiences. She is an Oklahoma treasure. If you want to know about a show, ask Maybelle!"
WHAT'S HAPPENING
Carovilli Communications
Hired by OCTA Board
One of our goals this year is to begin a statewide promotional campaign to make more individuals and businesses aware of OCTA and its programs. This is a first step toward gaining more financial support. In this interim period between executive directors, the Board agreed to hire Stephen Lalli of Carovilli Communications to create a strategic, public relations program which will establish an image, perception, and the value of the programs offered by OCTA. This program will target specific audiences, current and potential corporate sponsors, and current and potential members.
In a six month trial period, Carovilli will develop and implement a media relations plan to:
1. Provide media relations to local & statewide commercial media outlets as well as industry media;
2. Provide media relations for existing and new OCTA programs through media releases, and OCTA website updates.
3. Provide media relations for the all appropriate meeting and awards.
Steve is aware of OCTA’s role in the state. He and his son appeared together in Cynthia Poteet’s production of “Oliver” a few years back. He says that was his first and last time on stage and he prefers to work behind the scenes.
Rural Theatre Initiative
Pauls Valley:
Tim Smith, OCTA Board member from Pauls Valley, reports that The Pauls Valley Arts Council recently completed its first Theatre Festival. Making the experience unique for this rural community was the fact that the council partnered with the Choral Department of the local high school that had just completed a musical review of "Oklahoma". Students from the musical's cast performed selected songs from the show before the council presented two one act plays.
Sands Springs:
Andrea Campfield is spearheading a new theatre company in Sand Springs. They received official word mid-May that they got a reimbursement grant from the city so they can go ahead with establishing a Community Theatre. They have a Steering Committee of about 15 people, with many waiting in the wings. Andrea will be available after June 10 if you want to help with this effort. Call the OCTA office for contact information.
OCTA is providing many of the resources and expertise they need. Even though Sand Springs is within an urban area, we are supporting them as we would any new initiative anywhere in the state.
OFFICE GOINGS ON
Meet Darrelyn!
If you have met or talked with Darrelyn Hoffman, you know how pleasant and helpful she is. She’s OCTA’s part-time office manager. Since November she has been particularly busy cleaning and consolidating files, both paper and computer files. We changed internet providers and she and Jimmy Vaughn spent days putting the membership into new email address formats. They went through the paperwork in the office and, after sorting, filled up four file cabinets. That was before she, Mary Patterson, and Diane Chapel retrieved some 30 boxes of old files from storage at the OAC. These may have a lot of chaff among the wheat, but they hold OCTA’s archival information and Darrelyn and OCTA volunteers will be working to sort what’s important and what’s not over the next year.
Darrelyn sends out your renewal notices, keeps the membership and donation records, collects the money and deposits it, forwards the bills to the current Treasurer, Martha Cherbini, liaises with the building management, sends web corrections to Tony Batchelder, our web master, answers the telephone calls and emails and forwards them to the appropriate Board member or volunteer, and, oh yes, tries to keep the library in shape. (If you have overdue scripts, she would appreciate their immediate return, as there will be a work day on May 31 to refresh the inventory of the library and add the Hair collection to it.)
In other words, Darrelyn is invaluable to us in this interim period between executive directors.If you need information or help, leave a message if it’s not the part of the time she is in the office (usually 10:30 am till 2:30 pm). She WILL return your call.
Charles Hair library donated to OCTA
Charles Hair’s extensive library of theatre scripts and books have been donated by the family to the OCTA library. They are now being added to the library.
Charles Hair might have been called "Mr. Theatre." He was either helping Theatre Tulsa, organizing Actors Theatre in Tulsa, or talking the Williams Company into sponsoring an OCTA or AACT event. He loved to host the OCTAFest, the Regional AACTFest, and was in the process of submitting a bid for Tulsa to host National AACTFest at the time of his death.
If there was an OCTA event, Charles was present. He encouraged festival participation, attended Regional AACTFest and National AACTFest wherever they happen to be, if his health permitted. He was a doer, not a follower!
Charles had a rare type disease but he did not let this hinder his theatre ambitions. He thrived on Broadway productions and on visiting Los Angeles where he hoped to live someday and be cast in good movies. His disease may have shortened his life, but he lived his life to the fullest! Oklahoma theatre has benefited from the few years this native son spent in our midst.
New Members- 2007
Please welcome these new OCTA members: Stephanie and Jordan Hurt, Choctaw, Ok, Erma Stewart, Edmond, and returning member, Theatre Tulsa.
Organizational members are the backbone of OCTA, but the value of our programs is an individual benefit. Please encourage your board members and production participants to join OCTA. Memberships are one of the main ways that we secure and match other kinds of funding.
AMERICANS FOR THE ARTS
Americans for the Arts is headquartered in Washington, DC, and New York, and includes more than 5,000 organizational and individual members and stakeholders across the country. With more than 40 years of service, Americans for the Arts is dedicated to representing and serving local communities and creating opportunities for every American to participate in and appreciate all forms of the arts.
Its Arts Action Fund is a 501(c)(4) nonprofit membership organization created by Americans for the Arts, the nation’s leading 501(c)(3) tax-exempt nonprofit organization for advancing arts in America. Launched on October 4, 2004, it seeks to engage citizens in education and advocacy in support of the arts and arts education. The Arts Action Fund’s goal is to enlist and mobilize 100,000 citizen activists who will help ensure that arts-friendly public policies are adopted at the Federal, state, and local levels, and public and private resources are maximized.
Americans for the Arts and its new Arts Action Fund are governed by separate boards of directors. To help them promote their advocacy message, they work with a distinguished committee of artists representing diverse disciplines.
The Arts Action Fund is able to engage in candidate forums and endorsements, issue candidate report cards in an election year, and conduct larger advocacy campaigns. Now the advocacy efforts have been taken a step further with the launch of a connected political action committee, Americans for the Arts Action Fund PAC. It is only through this member-supported PAC that the Arts Action Fund is able to raise funds for candidates. The money raised will be used to support pro-arts Federal candidates in the elections. This direct support to candidates from PAC contributions is one of the most effective ways of influencing public policy. Members of Congress know that PACs connected to membership organizations represent an activist voting constituency. Americans for the Arts Action Fund is now positioned to make a difference in public arts policy.
You can see the website at www.artsusa.org
Website Statistics
We can all use free publicity. Here is a very simple way to get some basic free press with just a small amount of effort.
USE THE WEB
The wonderful thing about the World Wide Web is that, for the moment, it is still basically free for all to use and has unlimited opportunity for growth. At any one time there could be anywhere from two people looking at your site to several thousand.
Fun Fact
www.oktheatre.org had 51,000 hits last month alone. The most popular day of the week was Tuesdays with 18,000 hits and the busiest time of day was from 6am to 7am with 11,000 hits.
www.hellertheatre.com had roughly seven thousand hits last month.
www.tacta.net had over a million hits last year alone.
There are several sites where theatres can get free or low cost web exposure. My favorite is Network Solutions to get a personalized domain for about $40 per year. Web forwarding is available for an extra $12 per year. Once you get your website, crosslink it with anyone who will cross link with you (this means putting up a link to their website and them putting one up to yours). This will increase traffic for everyone concerned and it will increase your ranking in the search engines
All in all, for about $110 a year you can get a web page up and running with your own domain name.
Think about it...If you sell just 10 more tickets per season to the people who see your web page, you have paid for your investment
It sounds confusing, but I am willing to set up a workshop for OCTA members for the price of a hotel room, some gas money, and a meal or two where I will come to your city and show you everything you need to do to get started.
Simply send me an email at alb74066@aol.com or tacta@tacta.net and we'll see if we can't work something out.
Thanks,
Anthony Batchelder
Webmaster
Oklahoma Community Theatre Association
Theatre Tulsa
Heller Theratre
Clark Theatre
Theatre North
Cushing Community Theatre
Anthony Batchelder
Laughing Matter Improv
TACTA Forum
Julie Tattershall
The Arts Ranch
Tulsa Area Community Theatre Alliance
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Vanessa Adams Harris
 
Vanessa Adams-Harris has 16 years of theatre experience. Her credits include print/commercial modeling, state and national appearances with award winning shows, and her one woman dramatic portrayals as Rosa Parks and Ada Lois Sipuel-Fisher. She is the Performing Arts Coordinator for the Resonance Center for Women in Tulsa developing workshops for women’s personal monologues.
She has appeared with The University of Tulsa and The University of Oklahoma and has won awards as an actor for her portrayals of Lady Red in "For Colored Girls Who Have Considered Suicide When The Rainbow Was Enuf’" by Ntozake Shange, the 103 year old Sadie Delaney in "Having Our Say – The Delaney Sisters’ First 100 Years" by Emily Mann, and Lena Mae Baker in "Who Will Sing For Lena?" by Janice Liddell.
In March of 2007, Vanessa performed "Who Will Sing For Lena?" for the 14th Annual LAWTF Festival 2007: “CROSSING THE LINE”. The Los Angeles Women's Theatre Festival ("LAWTF") was organized to provide a vehicle for the development of women artists utilizing theatre to educate, enlighten and empower solo artists, audiences and volunteers. They celebrate and reflect the diversity of women's voices while focusing on the oneness of women's experiences.
Theatre North's "Who Will Sing for Lena?" will now head to Charlotte, N.C., in June for the American Association of Community Theatre's national-level competition.
The one-woman play was named "outstanding production" during the AACT Region VI Festival gala in Alexandria, La. in April of 2007.
"It was a very, very good experience. We're just on cloud nine. It was simply wonderful," said Maybelle Wallace, executive director of Theatre North. "I just felt confident that we would win."
"Who Will Sing for Lena?" is an original play by Janice Liddell. It gives a voice to Lena Baker, a black woman who was executed in the 1940s in the Georgia electric chair for killing her white employer who she claimed raped, kidnapped and tried to kill her.
Vanessa Adams-Harris plays Baker in the production and was named to the festival's "dream cast".
Theatre North has won state competitions three times in the past, but this will be the company's first trip to nationals. Adams-Harris has attended past workshops at the national AACT festival. She said the quality of the shows performed there rivals professional work.
"It's kind of a surreal feeling this time, because I've seen the shows at national level, and they're really good. That our show is going to present at this level is profound," she said.
Her continued involvement with the American Association of Community Theatre has gained her numerous awards at OCTAFEST ’01, ’03 and ‘06 and regional SW-AACTFEST ’01, ’03 and ’07, and highlights her compelling presence and unforgettable talent.
She has worked with the Arts and Humanities Council of Tulsa as an Artist in Residence in drama for TPS 5th grade students. Additionally, she has worked with the summer program of The Salvation Army Boys and Girls Club of America-Mabee North, and with Theatre North’s "Theatre By Me I and II."
In 2005, Adams-Harris was awarded the very prestigious individual artist Jingle Feldman Award by the Arts and Humanities Council of Tulsa for her one woman show “Rosa Parks-My Story”. She will also present her newest piece, "What Does A Legend Look Like?--Ada Lois Sipuel-Fisher" to the Resonance Center for Women in Tulsa Oklahoma
Heller Theatre Celebrates 25th Year
Heller Theatre celebrates its twenty fifth year this season. In August of 1981, Heller Theatre first opened its artistic doors and in October presented it’s first production, "Falling in Love With Love". Ken Spence was the first director of the program. Established in part as a youth theatre program in a partnership with Theater Tulsa, Heller has since established its own identity as a leading producer in Tulsa theatre of original and contemporary material.An entity of the Parks and Recreation Department of the City of Tulsa, Heller is the smallest building in the department, housing a very intimate, 50-seat black box stage. One of two programs in the department, Heller strives in it’s mission to provide diverse educational and cultural experiences through both its productions and its programming.Currently under the direction of Julie Tattershall, Heller offers many different opportunities in its programming. Julie began a ‘New Plays’ series in 1990, a tradition that currently continues in production. Julie also began Tulsa’s first regular performing improvisational troupe, The Laughing Matter Improv, who, after eighteen years, still performs regularly to packed crowds. Along with her associate, Frank Gallagher, she heads an education program that includes classes in improvisation for all ages, acting, acting methods, technical theatre, playwriting, and direction.
Heller has a long-established reputation for quality, contemporary, and often cutting-edge material. They were honored to be able to tour with the show "Eleemosynary" to six different theatres in the state of Oklahoma during 2005. In its last season, Heller was praised by the Tulsa World newspaper for several productions and two shows placed in the ‘Top Ten Year-End Review’. Heller Theatre was named the OCTA "Theatre of the Year" for 2005, and also received the "Outstanding Productions" Award in 2004 and 2006.
Heller Theatre: Be Bold!
History of the OCTA Awards
For those of us who weren’t part of OCTA some twenty years ago, it is helpful to be able to call on those who were for an understanding of OCTA’s history and progress. In an effort to get this “institutional memory” out of heads and onto paper, so to speak, Jimmy Vaughn, Past President of OCTA and now on the Advisory Board, has contributed his recollections of how the Awards began and who their namesakes were or are. For his description of the history of the awards in general, see the OCTA web page. We reprint here one of the awards.
Octa Hall Of Honor Award
This award was suggested by Denny Vick during his term as Executive Director of OCTA, in 1986. It was originally proposed as the OCTA Hall of Fame. During the OCTA Board of Directors discussion whether to approve the presentation of this award, it was agreed to call this award the "OCTA HALL OF HONOR AWARD." The OCTA HALL OF HONOR AWARD is OCTA's highest recognition for lifetime achievement in service to Oklahoma nonprofit theatre and to OCTA.
This award was to be given to an OCTA member who had accomplished significant things for OCTA. There were no written guidelines on determining a recipient. There were no set numbers to be inducted each year for the reason that there would be years that none would be given. There was not a plaque or record to keep the names of those designated for this honor in the OCTA office.
The first Initiates in 1987 were Mrs. J. R. Fiske Robertson, Bartlesville; Mr. Jon Wagner, Stillwater; and Mrs. Lillian Williams, Ardmore
MEET YOUR BOARD
Sharon Burum
Duncan Little Theatre was one of OCTA’s founding members back in 1969. It is a fact of which they are very proud and they celebrate in all of their programs. They also boast of two OCTA Presidents, Dwayne Brittain and Sharon Burum. Sharon first became involved when the OCTA board of directors met in the Simmons Center Theatre in 1992 and asked DLT to bid on OCTAfest for 1995. They did, and Sharon was off and running. She served on the OCTA board for the next 10-plus years. “It has meant so much to me personally and to our theatre,” Sharon said. “The BEEP program under the excellent direction of Tom Cowley, Merrisue Lucardeaux, and Jack Liggett helped DLT think about our theatre. As a result we began a “season of shows” in 1996, purchased two buildings, rebuilt our costume space, wrote awesome grants and celebrated our 25th year in 2007. I was fortunate enough to host an OCTA festival and an AACT regional festival in 2001 at the Simmons Center Theatre, a state-of-the-art theatre space, the finest in southwest Oklahoma.”
As an OCTA member, Sharon admits to “shamefully taking advantage of the experience and expertise of others. I learned how to build sets without walls, organize a workshop space, build a face mask, get stuff for free, be a better director, choreograph, stage fights, and made lights flash on and off the Christmas trees for “A Tuna Christmas." I heard about many plays that worked well and some not so well from other fellow theatre lovers. I have been awarded for my work in OCTA, but believe me, I have been doubly awarded and enriched with my OCTA connections. For a short theatre major from Texas Tech, I have been blessed!”
Sharon still acts and directs for her theatre, as she has for the past 17 years. She serves on the OCTA board and as the VP of Conferences for Southwest Theatre and Film Association. In her first year in Oklahoma (She used to be a Texan), she was stage manager for the first theatrical production in the newly-built Simmons Center Theatre. It happened to be “Oklahoma.” At the Saturday performance, the Governor of Oklahoma appeared and Sharon met him, his Secret Service, his entourage and she even pulled the curtain as he stepped into the spotlight and the orchestra struck up the chords of the heart-stopping state song. “The crowd went wild,” Sharon remembers, “and I thought, ‘I think I will like being an Oklahoman!’ That moment is still one of my favorite goose bump memories. OCTA members have lots of those!”
Annual Meeting
At the May 19 Board meeting, it was decided to reinstate an Annual Meeting in the year between OCTAFests. The non-production awards will be handed out at the Annual Meeting. There may even be some new awards by the time the first Annual Meeting takes place in the summer of 2009. So, if you have ideas to make it a fun and exciting event, or your theatre would like to host the event, please let us know. There is time to plan if you begin soon. (Call or email Darrelyn at oktheatre@sbcglobal.net…she’ll forward your ideas to the appropriate Board member.)
Martha J. Cherbini Becomes President-Elect Of OCTA
Martha Cherbini, currently Treasurer of the OCTA Board of Directors, will take over the helm as President in July, 2008. She was an advisor to the Board in 2000, became a full member in 2001, and has been Treasurer since 2002. She also lends her legal expertise to the OCTA Board. She has been employed by Bonds, Matthews, Brennan & Bonds, P.L.L.C. in Muskogee since 1996, specializing in employment law.
She studied theatre as an undergraduate in Texas before receiving her J.D. degree at George Mason University in Arlington, Virginia. One fact that many may not know is that she authored two published short stories and was co-winner of the Dan Rudy Fiction Prize, George Mason University, in 1986.
She has been a producer, director and actor for Muskogee Little Theatre as well as having served on their Board of Directors from 1998-2005. She has also been an actor and director for the Broken Arrow Community Playhouse.
Cynthia Kent joins OCTA Board
Cynthia Kent, Managing Director of Lawton Community Theatre was elected for the first time to the OCTA Board for the 2007-’09 term. "I'm thrilled to be a part of the OCTA Board. OCTA was actually established in our playhouse so we've always had a particular affinity for the organization. I look forward to a bright and challenging future with OCTA."
Current board members Vanessa Adams-Harris, Tulsa, Ruthie Carrico, Bartlesville, Shonda Currell, Elk City, and Doobie Potter, Oklahoma City were re-elected for an additional two year term.
Mary Patterson, former OCTA President and long time member retired, again, from the Board. Mary resigned from the Board once before and then re-joined. We hope this is a pattern. However, you will still see her, no doubt, at OCTAFest and other statewide meetings. Thank you, Mary, for being such a trouper and supporter of OCTA.
OCTA Annual Retreat (or Advance!)
The annual board planning session will take place in Tulsa on August 11 & 12. The main agenda item will be a discussion of a new procedural model for the Board of Directors, and any other organizational changes necessary to facilitate the capacity of OCTA to better serve its constituent theatres and individual members. The proposed model is from John Carver’s work with policy board development. Good Shepherd Presbyterian Church in Bartlesville adopted Carver’s ‘policy board’ procedure over seven years ago. The minister of that church, Pastor Dale Scott, will be on hand at the retreat to provide his experiences with this way of governing. Arrangements are just now underway in Tulsa, so watch the website for further information.
Cards and Letters
A nice letter was received from Lincoln County On-Stage…
"because we are a small, rural community theatre with a limited advertising budget, we are grateful for all that you do to help support community theaters throughout the state with your community calendars and your monthly newsletters. We routinely have ticket sales to people who have seen the play we are offering on your community calendar. Your service is appreciated by LCOS."
Hello Suzanne,
The Oklahoma Arts Council gave me your details. My name is Anna Herrmann and I am a theatre practitioner from London, England. I am coming over to Oklahoma City for a week in May this year with a group of artists and teachers on an action-research visit.
I am particularly interested in contacting companies that might do theatre based work in the penal system in Oklahoma or with young people at risk of offending, or with issues of drug use and homelessness. Could you put me in touch with any such companies, that work with young people either in prison, or facing poverty and disadvantage?
Any suggestions you have would be great. Thanks a lot.
Best wishes, Anna Herrmann
(Note: if you want to communicate with Anna, contact S.Boles at 918-786-5871 for her email.)
Senior Theatre
‘Round The Bend Players’ Of Tulsa
Announces Free Senior (Age 55+) Classes
Ongoing classes, offered at Heller Theatre, are still available and can be enrolled in at any time during the sessions. Please print off a registration form at their website at http://www.roundthebendplayers.com and mail it to Heller Theatre, Attn:Sherry Ziskowsky,5328 S. Wheeling Ave.,Tulsa, Ok 74105. Or, you may call Sherry at 695-1303 for more information or reservations. Classes will begin April 10 and run weekly for 12 weeks.
For more info you can go the website at www.roundthebendplayers.com
Becky Eagleton, BA in dance MA in PE, 20 years
teaching all ages at university level., One hour
per week Tuesday 10:30 AM - Dance and movement.
David Duke – Lifetime Artist in Tulsa, member
of Portrait painting group Whiteside Park, one
hour per week Wednesday 11-12 PM - Art through
pastel les
Tony Batchelder, BA in Theater and Cyndi Vetter,
BA in Theater both with a lifetime of experience
in directing, acting and theater in general, one
hour per week Thursday 10:30 AM - Self Expression
through acting.
Francine Ringold, PHD English, past Editor
Nimrod, university level teaching, Poet Laureate of
Oklahoma, one hour per week Friday 11-12 PM -
Writing your Memoirs
Deborah Hunter, 10 years Arts and Humanities
Council, 3 years State Arts Council, Jingle Feldman
Award 2000, one hour per week Saturday 10-11 AM -
Life story through poetry.
We hope that everyone will attend and give your
support to their efforts!
Artage Publications
If you have or are beginning a Senior Theatre, you’ll want to check out
ArtAge Publications. They have an email newsletter you can subscribe to for free.
artage@artage.pmailus.com
Oklahoma Shakespeare in the Park
Oklahoma Shakespeare In The Park Moving To The Heart Of Downtown Oklahoma City
Oklahoma Shakespeare in the Park (OSP), Oklahoma’s premiere classical theater, announced at the Myriad Botanical Gardens that beginning in 2007 and
beyond, it will stage its summer seasons in the heart of downtown Oklahoma City.
The inaugural 2007 season will kick-off June 14 and continue through Sept. 1. It will be staged on the Myriad Botanical Gardens Water Stage, which the Myriad Gardens Foundation (MGF) in a partnership with OSP will renovate. OSP has partnered with the MGF to raise private funds for the renovation. Improvements will include new sound and lighting, seating and a stage structure. The renovated theater will add a new premiere venue to downtown Oklahoma City and will be available for other bookings when OSP is not in residence. OSP has also moved its offices to Stage Center in Oklahoma City’s Arts District.
The 2007 Summer Season opens June 14 with A Midsummer Night’s Dream, followed by Cyrano de Bergerac and Macbeth. The final summer performance will be September 1.
The announcement came on the day that OSP’s three-year lease with the Myriad Gardens Authority and the City of Oklahoma City for use of the Water Stage was unanimously approved by the Oklahoma City Council. It had previously been unanimously approved by the OSP Board of Directors and the Myriad Gardens Authority. This approval represents the culmination of a process that began in the spring of 2005, when OSP’s stage in Edmond’s Hafer Park was burned down for a second time. Because of that
tragedy, OSP staged its summer seasons the past two years at the University of Central Oklahoma.
Oklahoma Shakespeare in the Park was founded in 1985 by current Artistic Director Kathryn McGill and the late Jack O’Meara. The past 22 summer seasons have been staged in the City of Edmond. Oklahoma Shakespeare in the Park traditionally mounts a summer season consisting of three plays; a winter season of one play, which is traditionally performed at Stage Center in downtown Oklahoma City; a production of A Christmas Carol, which will remain at the University of Central Oklahoma; and statewide touring
productions year-around. Educational outreach is also a core part of OSP’s mission.
OSP is supported in part by the Oklahoma Arts Council, Allied Arts, Chesapeake Energy, OG&E, the Kirkpatrick Family Fund, the Kirkpatrick Foundation, the Inasmuch Foundation, and is in alliance with the University of Central Oklahoma’s Department of Theatre, Dance and Media Arts. For more information, visit www.oklahomashakespeare.com.
Take a minute to visit our Web Page at
www.oktheatre.org
where you will find lots of interesting stuff such as information on membership and programs.
All programs and services of the Oklahoma Community Theatre Association are funded in part through the generosity of the Oklahoma Arts Council and the National Endowment for the Arts.
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